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Book description

Blackout - 3/5In terms of story and writing, Blackout just didnt come up to par for me. I felt that the characters (especially Amy and Rory) and the humor was off a bit. While listening to it, there were quite a few times that I would think, Amy wouldnt say that, or Rory wouldnt do that. Also, there wasnt much mystery. The situation is explained near the beginning, and from then on there isnt much suspense or intrigue. Its just a matter of seeing how the situation plays out before the Doctors plan works to save everyone. To be fair, there is a lot suspense as to just how the Doctor is going to save everyone, and a fair bit of action on Amy and Rorys behalf. So, there was still quite a bit of excitement in the story.I did like the sound effects. It was more like having a TV episode on in the background instead of listening to an audiobook. Its obviously specifically made for audio -- Smith doesnt describe the heavy New York traffic, instead you can hear car horns in the background and people walking on the pavement. Im not a person that usually likes a lot of music or sound effects in audiobooks, but it worked for Blackout.Stuart Milligan was good, but I did have one complaint. He did a New York accent for the New Yorker, an English accent for the Doctor, but Amy didnt have her Scottish accent. Its a minor, petty thing, but it did bother me.Overall, I enjoyed listening to Blackout. Its not as good as I expected a Doctor Who story to be, but its decent and I thought it was time well spent.Art of Death - 5/5This was my absolute favorite. The story was exactly what I expect from a Doctor Who story. A weird paradox, a normal human getting wrapped up in supernatural events, mystery, action, suspense, humor, etc. Basically, everything that Doctor Who represents and all that makes it great was put together in this story. I felt like this story grasped the feeling of the show better than Blackout did. The characters act more like themselves and it fits in more with the general themes that Doctor Who usually sticks with.Its told from the point of view of Penelope, which was great. For one, we get to meet the Doctor through the eyes of someone who has never met him -- always a fantastic experience. For another, I really liked her character. I feel like she could have been a companion if the timing would have been right.Raquel Cassidy is brilliant. I do think there is a bit of a bias for me between the two stories, because I tend to enjoy first-person audiobooks more, and this one was told in first-person. It took a bit to get used to her variation of the Doctor, but how she portrays him works for Matt Smiths character. Her voice for Amy was spot-on. In terms of performance, this had less than Blackout. Not as many sound effects, but I dont think it needed it. The story carried itself extremely well.The story is intense and is really no problem to listen all the way through. Running at about an hour and fifteen minutes, it sustains its suspense all the way through, but is long enough to have a satisfying resolution. If you havent noticed yet, I thought that Art of Death was simply perfect. *In exchange for my honest review, I received a free copy of this audiobook from the publisher through Audiobook Jukeboxs Solid Gold Reviewer program.*

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Egypts rich and celebrated ancient past has served many causes throughout history--in both Egypt and the West. Concentrating on the era from Napoleons conquest and the discovery of the Rosetta Stone to the outbreak of World War I, this book examines the evolution of Egyptian archaeology in the context of Western imperialism and nascent Egyptian nationalism. Traditionally, histories of Egyptian archaeology have celebrated Western discoverers such as Champollion, Mariette, Maspero, and Petrie, while slighting Rifaa al-Tahtawi, Ahmad Kamal, and other Egyptians. This exceptionally well-illustrated and well-researched book writes Egyptians into the history of archaeology and museums in their own country and shows how changing perceptions of the past helped shape ideas of modern national identity.Drawing from rich archival sources in Egypt, the United Kingdom, and France, and from little-known Arabic publications, Reid discusses previously neglected topics in both scholarly Egyptology and the popular Egyptomania displayed in worlds fairs and Orientalist painting and photography. He also examines the link between archaeology and the rise of the modern tourist industry. This richly detailed narrative discusses not only Western and Egyptian perceptions of pharaonic history and archaeology but also perceptions of Egypts Greco-Roman, Coptic, and Islamic eras.Throughout this book, Reid demonstrates how the emergence of archaeology affected the interests and self-perceptions of modern Egyptians. In addition to uncovering a wealth of significant new material on the history of archaeology and museums in Egypt, Reid provides a fascinating window on questions of cultural heritage--how it is perceived, constructed, claimed, and contested.

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